The New-York School Show. Les photographes de l'école de New York 1935-1965. Rome Nearly 800 documents

Nearly 800 documents

from Venetian luminism in the 16th century to the almost monochrome applications of "color-field painting" in American abstraction in the 1950s or the kineticism of op art in the 1960s

It has two objectives: to attempt to overcome the rupture caused by the specificity of the sources preserved for Greek city-states of the Classical period

the maritime hegemony that was the object of so much rivalry between the Greek cities

The New-York School Show. Les photographes de l'école de New York 1935-1965. Rome Nearly 800 documentsIn the early 1990s, the American photography historian Jane Livingston attempted to bring together, under the term "New York School of Photography", a number of the actors of the photographic revolution that shook the streets of the megalopolis between 1935 and 1965. Unprecedented expressive and formal freedom, assumed social and sometimes political commitment, the desire to connect with new pictorial and poetic forms, in depth knowledge of the