Le trésor des Marseillais. 500 av. J. -C., l'éclat de Marseille à Delphes. Epigraphie Religion death and the afterlife

death and the afterlife

and even a bridge

the first artist to have perceived that cinema could be a means of expression in the same way as painting or sculpture

and only held their being from these presences alone

Le trésor des Marseillais. 500 av. J. -C., l'éclat de Marseille à Delphes. Epigraphie Religion death and the afterlifeHere is Marseille in Greece, at Delphi, around 500 BC, only a century after the founding of the Phocaean city: close to Athena, Apollo and the Pythia, her oracle; in the heart of one of the most famous sanctuaries of Antiquity, common to all Greeks. A dazzling presence, a sign of the economic success of the Marseillais of the time, their political maturity and their influence in the Mediterranean. To bear witness to this, they chose to dedicate to